![]() ![]() ![]() Film series that employ this many different composers (and directors, for that matter) rarely find cohesion, and this first installment of Deathly Hallows does nothing in the way to tarnish that achievement. Desplat's score is both subtle and huge, lending quiet emotional depth ("Harry & Ginny"), playful wickedness ("Death Eaters"), and tense, robust action ("The Oblivation") with masterful precision. ![]() It's been a decade since John Williams set the tone for the films, and his original theme exists only in the shadows of Harry Potter & Deathly Hallows, Pt. The seventh and penultimate entry into the internationally successful Harry Potter franchise is also one of the series' darkest, and composer Alexander Desplat (The Curious Case of Benjamin Button, The Queen, The Painted Veil) infuses the young wizard's world with the appropriate amount of gravitas. Desplat's score is both subtle and huge, lending quiet emotional. Those who read the 'Harry Potter' books of the 1990's as a light diversion were up. Rowling has been its transformation from innocent, children's genre escapism to outright grown-up horror. The seventh and penultimate entry into the internationally successful Harry Potter franchise is also one of the series' darkest, and composer Alexander Desplat (The Curious Case of Benjamin Button, The Queen, The Painted Veil) infuses the young wizard's world with the appropriate amount of gravitas. Harry Potter and the Deathly Hallows, Part 1 : (Alexandre Desplat) An intriguing aspect of the maturation of the 'Harry Potter' concept from the pen of J.K. ![]()
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